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The photographs depict her children Sonja, Linda, and Samuel as well as her grandmother, mother, partner and eventually her grandchildren.

The title of the project itself invokes the process of seeing oneself in one’s own offspring, and fleeting memories of the irrevocable past.

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The photo has already been published in a book and shown in several major European galleries without complaint when it came to the eminent Rhodes+Mann gallery in Shoreditch, east London in 2002.

Public outcry ensued in Britain and Scotland Yard threatened to charge the gallery’s director with the Obscene Publications Act.

Although her photographic vision was much hailed, Annelies Strba was widely criticized when she exhibited the above photo of her daughter naked in the bath.

The photo was taken in 1985 when her daughter was 12 (at least according to museum tags).

Starting in 1974, Swiss artist Annelies Strba has photographed members of her family for a lengthy project called Shades of Time.

The photos in this projects are typically fuzzy, over-exposed or grainy and invoke a bygone era of intimacy and nuclear family.